They spend no time with flowery language, no profuse proclamations of their love. By the time the film returns to us, Mark and Elizabeth are reunited by the appearance of their child.
Naturally, they are stunned by the supernatural: the floating ghost that has the look and feel of the offspring they birthed into existence. The prologue. Both adults are aware of the peculiarity of the situation. So is the audience.
Golden Age of Piracy
What starts as frustrating turns into heartbreaking. Moncrieff takes a practical approach here. Jump cut are few and far between. The divorce came about because Mark burrowed into bottles of whiskey, while Elizabeth grappled with the absence of their newborn. The roles assigned to Mark and Elizabeth are generic. Sonnenshine telegraphs the emotions of her characters.
For a situation that is remarkable by any measurement of human existence, Mark and Elizabeth become quotidian. A Garland for Girls. A Garland of Blood and Dream.
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